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[name]: Cloisonne horse
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[material]: Cloisonne (silk technology)
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[Specification]: a horse (a horse and a base base is attached)
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[size];Height: 24 cm wide, 23 cm wooden Joe long 15 cm wide; 6.5 cm;
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[packing]: original box
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Buyer must read
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1., all the pictures are taken in physical form. Because of the difference between the photo and the computer display, there may be color difference between the picture and the real object. Please pay attention to your parents. Generally, objects are more beautiful than pictures.
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2. because of the manual operation, the small defects can not be accepted, please take careful consideration before taking it. So as not to destroy the happy mood of shopping.
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3. our shop will check the product strictly before shipment to guarantee the quality. In order to avoid irresistible factors in the transportation, please receive the parcel open on the face of the courier, check that the baby is not damaged or lack of re sign the order. If you find the problem, please refuse to sign, and contact us in time. We will communicate with the express company in time and handle it properly. Please remember this. Otherwise, the cost of the return is borne by the buyer.
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After signing the signatures, the representative confirms that the goods are properly intact, and we will not be responsible for the subsequent problems.
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4., if its not a quality problem, its personal factors such as: it doesnt like it, it doesnt like it, it doesnt look good, the size is not suitable, there is chromatic aberration and so on. Within 7 days, it can be returned with the packaging, but the postage paid is all self care.
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There is an old saying: Porcelain trachoma jump: “ ten nine sand ” that is the phenomenon of cloisonne sand. Old goods because it is pure Handmade and repeatedly firing so there will be trachoma and jump phenomenon (porcelain do not understand this phenomenon if you can contact the owner of goods, consulting) does not appear because the new blue trachoma and collapse not fired but surface through a layer of paint. This is also a good way to distinguish between true and false cloisonne.
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Filigree different: old goods for the general Pingsi filigree fine copper wire directly after flattening the disc pattern of indigo, after firing the finished goods must be polished old silk and as smooth glaze. The new surface is a layer of glaze of plating on the polished so you can not because it is not polished so not under the old goods processing (old goods if filigree flat polished highlights will scratch the skin) with two new products and more smooth thin copper wire bends like disc pattern, and then coated with a layer of paint, new goods no polishing process so high glaze surface filigree part.
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When it comes to cloisonne, its the art art that is familiar to everyone in Beijing. From the name, it will be thought of as a handicraft that was invented or produced in Jingtai during the Ming Dynasty in the Ming Dynasty. But in fact, the production of this handicraft didnt start in the year of Jingtai, so the name of &ldquo, cloisonne &rdquo cant include Jingtais former product, its called &ldquo, cloisonne &rdquo, its not very appropriate. But considering that this name has already been familiar with the broad masses of our country, it also has a certain historical origin, and is still used in the world, so it is no longer necessary to name it again. It also has another name “ copper filigree enamel ”.
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About &ldquo &rdquos name; cloisonne; explain for enamel products in Ming Dynasty Jingtai years, and to produce the finished product of the glaze with blue tones, so named “ cloisonne ”. When it comes to its origin, there are many different opinions, but most Chinese and foreign scholars and art historians advocate that the cloisonne technology was introduced into China from Arabia in the Yuan Dynasty. The Yuan Dynasty Cloisonne called “ &rdquo or “ a large kiln; the devils block ”. There is a gold or copper tire, tire for use with copper, thin and narrow wire device made of various patterns, stick to the copper body, with colored enamel, after baking, polishing and other processes.
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Fetal copper filigree enamel, a famous traditional crafts in Beijing, according to the Imperial Palace museum collections in the earliest record in the Ming Xuande years, Jingtai was widely popular. Production process: tires, cloisonne filigree, blue point, Shaolan, polished gold, the, gold.
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To make a fetus. Cloisonne beautiful first depends on the system tire, tire system is the use of malleable copper sheet according to the pre designed drawing blanking, hammering, cutting out the fabric or cut into different round, and beat into fetal copper needed by every kind of hammer. Special shape and fine quality, from beginning to end, complete by hand. In Ming and Qing Dynasties, there are also the technology of casting, cutting and drilling and so on.
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Filigree. The tire shaped cloisonne, Cloisonne is the main production processes. The production method is to clamp the advance of the soft, thin and fine and toughness of the copper wire, according to design, hand pinch (breaking, bending) folded rolled into the pattern of the process is very complex, made from a variety of patterns, with Bletilla or glue stick to the copper body. After the welding point blue and gold process to complete. Filigree craft, clever skill, depends on the operators two hands and the mastery of skills, pinch decorated full of wit and humour, charm and vivid picture, but this is not easy.
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Its blue. Filigree process after the carcass, and then by welding, pickling, plain living, such as silk process, before the entry point blue process. Point blue is the enamel glaze prepared by the artist, according to the color marked in the pattern, and a small shovel tool made by copper wire hammer (jargon, called the blue gun), and a shovel and shovel to fill the gap of the copper wire decoration.
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Enameling. Is the entire matrix to fill the glaze, and then get the blast furnace temperature of about 800 degrees Celsius in the firing, glaze by sand like solid melting liquid after cooling in a fixed matrix brilliant glaze, the glaze is lower than copper wire height, so you have to fill out a glaze, and then by sintering. Generally four or five continuously, until the patterns filled to level with the filigree pattern.
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Polish. Coarse sand and gravel polished glaze, such as glazed dent potholes in supplement a glaze (jargon called “ white ” by fusing), with fine stone ground fire and Huangshi mill if there, is injustice, still use the glaze to fill the cooked finally with, charcoal grinding, polishing and overall. Finally, all copper Division and the filaments using the traditional gold-plated gilt process.
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The artistic features of the cloisonne technology can be summed up in four characters, such as shape, pattern, color and light. A fine piece of cloisonn, first of all have a good shape, it depends on the fetal system; but also a beautiful decorative pattern, depending on the color gorgeous filigree; depending on glaze preparation, brilliant gloss finish in grinding and plating. Therefore, it can be said that Cloisonne is a special handicraft with the traditional arts and crafts in our country.
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The Ming Dynasty Cloisonne with “ Xuan de ” “ Jingtai ” the period as the representative, the style is thick and powerful, natural and bold, simple and elegant. Most of the works for the court of all, there were the sacrificial temples. The sight of cloisonne was the earliest in the years of the Xuan de. The characteristics of the cloisonne style of this period have been formed. In terms of varieties, there are furnaces, bottles, boxes, bowls, plates, tripod, and so on. In other aspects, such as the bronze statue of imitation goblet or other porcelain. There are two kinds of material, gold and copper. Design on tyre type patterns, for banana leaves, gluttonous, lions play ball and lotus etc.. The difference between the method of pattern processing, fetal filigree chisel. A blue glaze, such as blue, sapphire blue color, and light green, dark green, red or white. General large objects, copper rich, brilliant gold. The Imperial Palace has many collections of knowledge, such as the type the bottom foot, book “ &rdquo Ming Xuande years; &ldquo, ” Xuande years; the regular script or zhuanzi inscription, and then carved lacquer filled gold, blue and white porcelain and “ &rdquo a similar Xuande furnace. Cloisonne enamel lotus Elephant Ear furnace, is the outstanding work in this period.
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Jingtai, the process of cloisonne enamel has been developed greatly. This period also created many new blue glaze glaze, only have chrome blue, blue, blue, transparent, pale blue powder blue, gold, pink, green, pink and green, light green, and yellow, white, purple and other colors. The beautiful and cool glaze, especially the blue glaze, is more of a gem like beauty. At that time, most of the artifacts were based on this blue glaze, creating a blue dominated style in Jingtai. The varieties, emphasis into practical aspects, in addition to bottle, furnace, box, plate, and other varieties, and flower pots, and candlestick is a brazier. It shows that the level of the tire system at that time has reached a fairly high level. And with the pavilions, landscapes, figures, flowers and birds painting depicting the theme, and Phoenix Kui, two allegorical themes. In the decoration technique, attaches great importance to metalworking processing, top cover, ears, feet, and other parts of the multi edge artifacts, with chisel decorate techniques. The products of this period, filigree uniform structured polished smooth and delicate, in terms of quality technology than Xuande has been greatly improved. Jiajing, Wanli, the emergence of new varieties of animal shapes.
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At the beginning of the Qing Dynasty, because of the stability of the society and the prosperity of the economy, cloisonne was innovated in the inheritance of the Ming Dynasty. In the early Qing Dynasty, &ldquo was set up; enamel for ” Kangxi in fifty-seven years (1718) and “ office office ” cooperation, making all kinds of implements, enamel &ldquo, &rdquo as one of them. The artifacts made in this period are large in scale and variety, and the skills are meticulous. The styles are changed from rough to bright, gorgeous and delicate, and the products are more solid and practical.
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Yong Zheng of the Qing Dynasty, Qian Long period, imitation “ Jingtai year ” enamel products a lot, the palace office "as the work qingdang" recorded in “ Yong Zheng six years at the beginning of May five, according to the Old Summer Palace to the Post said earlier this month four days, the doctor was at Sea Prince Yi in the work in the capital … … the imitation cloisonne enamel bottle, flower is not good, the chin. ” “ Qianlong thirty-two years at the beginning of February four, … … Hu Shijie regards the eunuch, a kind of antique Bao inside a filigree enamel, a bottle, cans of &mdash, all to Jingtai Daming; Yang Wen, the first drawing was laid by the. &rdquo, which shows that Yong Zheng and Qian Long times attach importance to the imitation of “ Jingtais Royal enamel ” “ Jingtai imperial enamel: “ ” Jingtai ” filigree enamel section, in addition to some later changes and imitators, mostly in Jingtai during the period of restructuring, it won the title in the late Ming Dynasty and early Qing dynasty. Emperor Qian Long, the emperor, asked to apply the ancient bronze ware to the enamel products. Antique statue, Gu Ding, you, the ancient etiquette shape pattern, has the multi. The imitated ancient utensils show the color of the enamel craft. Some are similar to the old sample, some are new drawings, then engraved on the “ Daming Jingtai year system ” money. This kind of imitation can be seen from the collection in the palace, and its style is similar to that of the Ming Dynasty. In the collection of new paintings, it can be seen as the characteristics of the Qing Dynasty.
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In the Qianlong period, the cloisonne products were found everywhere in the palace. In addition to products of the Ming Dynasty inheritance, also appeared, like other sheep, rhinoceros. In addition to the production of large screen Zhang Yu, small head only an inch, and the daily table, chair, bed, couplets, plaque, penholder, wine, inkstone box etc.. The Qing Dynasty nobles believed in Buddhism, and also making Cloisonne instruments etc.. As in a palace with China Vatican floor display building, engraved “ Qing Qianlong year renyin made ” a large cloisonne pagoda. Beijing Lama Temple and Biyun Si, there are many with similar instruments.
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The material used in this type of fetal period on the three, waiting for a gold wire, medium silver tire silver, copper wire for tyre. The weight and the Ming Dynasty copper tire type is similar to that of table glaze of trachoma was significantly reduced, filigree, polished, gold-plated are very beautiful. At the end of color with blue, sapphire blue, in addition, there are green. Pink and black are two new varieties of glaze. In the decoration, popular poem, title, and adding the stamp making graphics, this is a reference to the traditional calligraphy and painting techniques. The combination of cloisonne and other arts and crafts such as lacquer and wood also began in the Qianlong period.
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Guangxu twenty-six years, the Eight Power Allied forces invaded Beijing, the ban on open. Two years later, the Ministry of Agriculture established Technology Bureau, etc. in order to set up the enamel workshop, &ldquo shipped abroad &rdquo cooked goods;. This product, induced abortion, Shaolan and polished the technology has been improved, but the finished tire made of thin, thin glaze, gold also thin, and its sales market has extended to all over the country. In the early twentieth Century, Beijings Cloisonne arts and crafts were awarded the first prize at the Chicago World Expo in the United States.
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On-time Delivery: If you do not receive your purchase within 60 days, you can ask for a full refund before order completion (when you click "Confirm Order Received" or exceed confirmation timeframe).Fast New The characteristics of Beijing arts and crafts copper filigree Cloisonne ornaments enamelized horse horse ornaments Office b
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